Scott McLemee
January-March 2005
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31 March
 
For the first time, couldn't file my column.
 
On Tuesday night -- after a low-energy, no-concentration day -- the symptoms of a flu, or some such thing, really kicked in.
 
Couldn't think much about work, per se. However, I have had time to develop a renewed appreciation for the resonance of the phrase "talking to Ralph on the big white phone." (Lost about five pounds within twelve hours.)
 
No more now. Back next week.
 
(Very sorry to learn of the death of Robert Creeley.)
 
 
 
 
 
30 March
 
Sometimes I just want to quit doing everything else and go reread Perry Miller for a while. It's been a long time. Can't even keep the heresies straight any more.
 
While reading the biography of Jonathan Edwards, for example, I kept thinking that -- as indignant as he was about the influence of Arminianism -- it seemed odd that he wasn't really, really furious at having Christ's divinity denied.
 
Which is, of course, Arianism. 
 
Man was my face red! 
**
 
Look, it's photos of Slavoj Zizek getting married to a smokin' Argentino-Lacanian babe. So why does he look so miserable? Jouissance up a bit there, guy.
 
 
 
 
 
29 March
 
It's Tuesday. Hence, it is Tuesday column day.
Quod est demonstrandum.
 
....Okay, now this is scary.
 
 
 
 
 
25 March
 
An open letter, of sorts:
 
If you are someone who has written to me over the past two months or so and not heard back, I'm sorry.
 
It's not from malice, or even from indifference.  Many things in my life are on a triage system now. Aside from the work I am actually getting done, there is a lot that is due -- or overdue, in many cases.
 
Plus there are things coming down the pike. For example, the panel at the American Political Science Association (for which I wrote a sort of provisional abstract for a paper) has been accepted. That's several trips to the library, right there.
 
And the Cultural Studies Association meeting is next month, at which I'm a plenary speaker. Which sounds so intimidating as to make me afraid to find out what it actually means.
 
These are honors, to be sure. But mostly they are obligations. They require work.
 
I'm getting a little less stupid about organizing things, but not a lot. Spending any time at all writing this, for example -- is that quite rational? Perhaps not.
 
So anyway, I'm behind on correspondence, and indeed on most things. The past several weeks have been probably the most demanding period in at least ten years.
 
The deadlines at IHE do get met. But in other matters, consistency has not been my strong point.
 
Will try to go through the in-box over the next few days -- again, applying some ad hoc triage principles.
 
People who have written to say that they have published a book, and are volunteering to let me review it, will probably not get an individualized response.
 
However, I can tell you that, as a general rule, things don't really work that way. 
 
 
 
 
 
24 March
 

If you want the story on the dramatic unveiling at NBCC of what we call simply "the shirt," check out this item by the Happy Booker.

To repeat: I have no information about availability. Direct all queries to the artist, Robb, by writing him at the following address, suitably modified:  rschuneman AT ucok DOT edu .

UPDATE:  Now the Happy Booker has a photo of Rick Perlstein actually wearing the shirt.

UPDATE NUMBER TWO: Gary Shapiro writes about the NBCC panel in his column for the New York Sun. 

It is true that, as he says, Gary gave me some advice on making my column better known. (Here's the most recent one.) And it was good advice, too, but I have been so damned busy that I haven't followed any of it.

Really need to sit down and think about this soon. I really want the thing to have readers, and an impact, and whatnot -- but at the end of the day I'm much too prone to just concentrating on the writing itself, with a vague trust that people will find their way to what I'm doing.

Through what, etheric vibrations? That's stupid. But for all practical purposes that seems to be my operating assumption.

 
 
 
 
 
23 March
 
When we went out to feed the birds on Saturday, there was one goose who became really pissed off.
 
His size was an impediment to getting to the chunks of bread, which the seagulls snatched right out from under him.
 
Those were some bitter, bitter honks he let out.
 
The ducks were less aggressive than the seagulls, who are, basically, total pushy assholes.
 
But even the ducks ate better than the goose.
 
Probably a social allegory in there, somewhere....
 
 
 
 
 
22 March
 
I've heard there was an incident involving the t-shirt during the National Book Critics Circle gathering on Friday. Either that or a whole bunch of my friends are playing a really involved practical joke. More on this story as it develops.....
 
Last week, someone (well, my editor, actually) said: "You are doing a shitload of reading for your column, and that's good, but maybe you should also write things in a more personal or casual vein." So that's what I tried to do with today's column.
 
Speaking of the shitload....My review of a new book about Jonathan Edwards appeared in Newsday over the weekend. And the two-part column on Otto Weininger is reprinted over at The New Partisan.
 
****
 
Greetings to the Happy Booker....a.k.a. Wendi Kaufman, a short story writer and Washington Post contributor, who is willing to defy the expectations of this one-company town by doing a blog devoted to something besides either policy wonkery or junior-high witticisms about public officials.
 
Anyway, a DC litblog is an idea whose time has come.
 
 
 
 
 
21 March 
 
For the following, there should ideally be a plug-in that would play the theme music from The Twilight Zone in the background.
 
But just do that part yourself.
 
Start out here, with a completely normal looking real-estate agency.

Then look at this thumbnail biography of the folks who run it.

Okay, now things get strange. (And yes, it's the same two people.)
 
doo-dee-doo-doo,
doo-dee-doo-doo....
 
 
 
 
 
18 March
 
 
One of them was the package of articles on academic plagiarism from the Chronicle of Higher Education last year, nominated for the award for excellence in reporting.
 
My role in the package was pretty small, beyond writing the initial memo suggesting that it might bear looking into the possible failure of institutional accountability for handling scholarly plagiarism. Within the package itself, I did a short item that was more or less a sidebar to the extremely impressive job of reporting done by Tom Bartlett, David Glenn, and Scott Smallwood.
 
Anyway, it's an honor to be listed alongside them. For the record, credit also goes to Richard Byrne (editor of the Research section) for his work on the whole package.
 
If you want to read the package, start here.
 
Oh, what the hell. Might as well take this opportunity to link to a report I did a bit earlier, on another plagiarism case.
 
The guy in question, who was caught red-handed, later sued the school from which he resigned following the publication of this article. In the future, his picture may appear in dictionaries next to the word "chutzpah."
 
 
 
 
 
17 March
 
Quite a few people have been in touch since yesterday, asking, "How I can get me one of them t-shirts?" or "Does it have to be so rude?" or "So is that really what you look like?"
 
Also, "Will you be making any money off of this?"
 
Okay, that's four questions. Here are the answers.
 
(1) I have no idea.
 
(2) There has been some discussion, at The Weblog, of a non-obscene edition of the shirt. Given the circumstances (i.e., my departure from the Chronicle of Higher Education big-cash-and-benefits gravy train), the best caption to the graphic at present might be "Will Pontificate for Food."
 
(3) Yes, that is pretty much what I look like, though the image is more flattering than real life. However, the facial hair is more continuous. For the record, I was wearing it like that well before it became de rigeur (circa 1995), and it will be wearing it the same way long after the ironico-nostalgic revival(s) come and go. Only there'll be more grey in it, at that late date. Actually there is already a fair bit of gray in it now. So to go back to the question, yes, that's what I look like, except for having become what my wife calls "more distinguished," which is a euphemism, if ever.
 
(4) Profits (if any) from the sale of this t-shirt should go to the designer, Robb Schuneman. If he is so moved, I would encourage Robb to make a small donation to The Fund to Buy Chairman Bob Avakian a New Hat.  
 
 
 
16 March
 
Yesterday was a major personal milestone. It was the tenth anniversary of the day I left my job at the Library of Congress to become a full-time writer. By that point, I'd already published a bit, but it was definitely a huge step. Frankly, it scared the crap out of me. Not like leaving the Chronicle. That was easy. (The moments of self-crapping terror only came a few weeks later.)
 
Anyway, imagine my astonishment at finding that yesterday -- by total coincidence -- Robb Schuneman created this image as part of a new line of t-shirts.  
 
 
 
 
 
15 March
 
It's Otto Weininger week over at Intellectual Affairs! Here's the first part....
 
Think I may write the second column while listening to the soundtrack to Hedwig and the Angry Inch. That seems fitting.
 
Read somewhere (it might have been the intro to the new translation of Sex and Character) that Elias Canetti was satirizing Weininger in Auto-da-Fe. That's a really interesting idea, and it strikes me as plausible.
 
 
 
 
 
14 March
 
Still recovering from last week's traumatic cat-tripping episode. It has been a valuable learning experience. I have learned, for example, that it is possible to get Doan's backache pills for about half the price, just by looking for the store brand of pills containing magnesium salicylate tetrahydrate. 
 
It's like a whole new world is opening up. Middle age is rushing to greet me with a gesture of menacing welcome.
 
Oh, right....Speaking of which, more than a week ago, Newsday ran my piece about James Atlas's My Life in the Middle Ages, which utterly sucks. The worst book I've read in a while.
 
For a critical statement a bit more substantive than "it sucks," read the review here.
 
 
 
 
 
9 March
 
The part in Thursday's column about the rogue feline doing a number on my back is literally true. I've spent a couple of days hobbling around. Didn't actually take painkillers, though. That was creative license.
 
There wasn't room to go into it, but I'm struck by the contrast between the Fink translation of Lacan and my memory of reading the old Sheridan-Smith translation.
 
Not sure that it's quite right to say that the former is any easier to follow, exactly. But I kept having flashbacks to how enigmatic and knotty certain things in the old translation were, how wierd the locutions seemed. 
 
With the Fink translation, the same passages feel smoother and more coherent. I finish something with the sense of it having taken real concentration, but not strain, to follow. 
 
Thanks to Collin Brooke and Scott Esposito for the links to
(and discussion of) my Tuesday column.
 
 
 
 
 
8 March
 
It's Tuesday, so....time for another column.
 
Meanwhile, there have been some "corrections" to Thursday's column, by Objectivists who can juggle. Language, that is. I'm not going to bother to respond, but wanted to point to something I find amusing.
 
In the column, I mentioned Chris Sciabarra, the one guy whose writing about Rand is always worth reading. A few years ago, he wrote a study of the complex and somewhat unhappy history of the relationship between Objectivism and gay rights. Any number of folks who had personal as well as philosophical reasons to embrace a libertarian perspective were drawn to Rand's work, but had to deal with the fact that the old bird was a pretty typical homophobe. And of course if Ayn Rand said you should eat shredded wheat at every meal, there are Objectivists who insist it was the perfect food.
 
So anyway, Sciabarra published that monograph. And then there appeared a criticism of it by an ortho-Objectivoid named Reginald Firehammer. A few weeks ago, I noticed a reference to it, and sent a message saying, "Admit it, Chris. You just wrote a book under a pseudonym denouncing your own work." 
 
(I don't actually believe that, but come to think of it, he never actually denied it.)
 
Then, in response to my column last week, there appears a comment by Reginald Firehammer.
 
The same evening that column first appeared, the Daily Show unleashed Dino Ironbody on the world. 
 
Coincidence? Or proof of cosmic synchronicity?   
 
 
 
 
 
7 March
 
I've been hoping that my line that "if the only way to get publicity were to perform as a circus geek, it would be dangerous to be a chicken in the vicinity of David Horowitz" might catch on.
 
But a Google search for the pertinent terms suggests that it has not. That's a shame. Because it's true, you know.
 
 
 
 
 
3 March
 

Many thanks to Ralph Luker for this item on Tuesday's column. See also this smart commentary from Caleb McDaniel.

As for CM's idea that there is a "rush to judgment," that certainly crossed my mind. But Holly Jackson actually makes a strong case for EDKH as white, while nobody has any solid evidence that she was black -- and when you read the scholarship, you notice people bending themselves out of shape to find some reason to think that she was. (I could have said more about that in the piece, including one case that verged on outright dishonesty, but that seemed like overdoing it.)

**

The column for Thursday is kind of a smorgasbord.

Until now, I've been using the space to write short essays on whatever on my radar seemed worth, uh, essaying. Will continue to do that. But there is a difference, just as the formal level, between the column (as such) and the essay, and I've been trying to figure out how to take advantage of that difference.

At some point, it would make sense to write up something on that distinction. Arguably I'm way too concerned with such nuances. When somebody refers to my profile of author X as a "review" of X's book, it induces a cringe and a desire to explain the difference between the genres.

That may be a symptom of hypersensitivity and social retardation. My plan, however, is to harvest those nervous tics into a piece of analytic writing, or maybe a lecture or two. 

By then maybe somebody will invite me to teach a class or something. And then I'll have somebody to talk to besides the cats -- who, of course, have really approved of my decision to leave the Chronicle and to live full-time in the no-man's-land of writerly social isolation.

I'm thinking of setting up a regular get-together at a coffee or tea-shop in DuPont Circle, with an open invitation to anyone reading this site who lives in DC.  Watch this spot.... 

 
 
 
 
 
2 March
 
Here's my column from Tuesday. Many thanks to Moby Lives and Galley Cat for their attention to it. And to Henry Farrell for this commentary at Crooked Timber -- which also provided an occasion to add some comments of my own on things that didn't quite find room in the piece. (By the way, the Borges connection did cross my mind while writing it.)
 
 
 
 
 
27 February
 
 
 
 
 
25 February
 
It was all Derrida, all the time, this past week. Here's the first column, mainly about the Cardozo conference "Derrida/America." And here's the second, which digresses a bit -- eventually wandering off into a precis of Rogues, which as far as I can tell was the last book he finished before the cancer hit.
 
In truth, I did also write a couple of other things, not about Derrida.
 
 
 
 
 
22 February
 
Thought my column would run on Monday and Tuesday this week, but instead it's the regular schedule, today and then again Thursday.

The entire trip to NYC was jinxed somehow. First of all, finding anyplace affordable was hard, because the entire eastern seaboard decided to go see Christo this weekend. The hotel we stayed at was memorable. That is the only neutral word possible.

I tried to get through the whole thing by coming up with advertising slogans for the place. Here are the best of them:
 
Dirt Cheap....'Cause It's Dirty!

and

Less Depressing Than a Crackhouse
 
 
 
 
 
 
19 February
 
We're off to NYC for a couple of days, where I will be attending a conference and writing my column at the same time. Yowsa. And I'm not a particularly coordinated person.
 
The column will appear Monday and Tuesday, with the first one being here, though that link won't work until Monday.
 
Rita wants to see the Christo wrapping of Central park. Someone I know who went on Valentine's Day described it as romantic. So yes, I'll be going to see it with her. You don't stay married this long by being a Dostoevsky character all the time.
 
 
 
 
 
17 February
 
About 15 years ago, I came across a postcard with a photograph of a leathery little beast with pointed teeth. According to the copyright information, it from a mid-1980s movie called Trolls (a knock-off of Gremlins).
 
The caption said, "Write! or I'll come visit!" -- a way of chiding a friend for not being a good correspondent.
 
But my thought, the minute I saw it, was, "Right, that must be exactly what he looks like." For there was no doubt in my mind that he was the little demon who tortures me when I'm not focused.
 
Anyway, he's had to keep his distance lately.
 
Here's the latest column. And now, in a spirit of reckless of abandon, I am going to spend today away from my desk. He won't get me, though, because I'm taking a legal pad. 
 
 
 
 
 
14 February
 
There's a report on Inside Higher Ed this morning in the New York Times. The volume of traffic at the IHE website now is just incredible.
 
Very funny to read a Chron-ster doing the "we aren't worried" bit. In this context, "funny" means "abjectly untrue but not fooling anybody." You know, like if I announced that the NBA has just drafted me. That kind of funny. 
 
 
 
 
 
9 February
 
Holy moley, another quantum leap in the number of regular visitors. I'd like to update this site more often -- but I'm writing pretty much all the time now, as it is. Not much crossing my mind now that isn't going into a draft intended for publication someplace or other.
 
 
For anyone wondering about the availability of "Chairman Mao Teaches Us to Study Theory" -- well, I'm not sure what to tell you. Bought it a couple of years ago from somebody online. It isn't in either of the volumes of Cultural Revolution propaganda posters in my collection, and Google only takes you back to this page. 
 
As Cornelius Castoriadis once wrote, satirizing a whole generation of French intellectuals: "Oh China, how distant you are, and how beautiful your signifiers...." (Betcha that made Julia Kristeva cry. I'd like to think so.)     
 
 
 
 
 
7 February
 
In the midst of an otherwise sobering -- if not horrifying -- item on a group called Citizens for Literary Standards in Schools, Dan Green quotes a passage from the CLSS manifesto that gave me a rueful moment. It appears in the context of a denunciation of the fact that certain contemporary literary works are taught in schools now. It reads:

"While textual descriptions of heterosexual sex, oral sex, homosexual sex, anal sex, rape, and incest are not generally classified as pornography because they don't contain images, it's undeniable that descriptions of sexually-explicit scenes helps develop an appetite for more of the same."

This is stupid, but in an interesting way.

A piece of writing can't be pornographic? Let's just overlook what the root "graph" means in this context. It is interesting to speculate on the circumstances that might lead anyone to write anything of such patent chowderheadedness.
 
My theory is that CLSS consists of one individual -- a concerned parent. Let us call him Peter Spankwell.

When Mr. Spankwell goes to Google and types in "incest pornography anal cheerleader barnyard," it is in search of photographs, not narrative prose. No doubt that is also true for Peter, Jr. (Or it was, until the parental controls were installed.) Hence, "textual descriptions.... are not generally classified as pornography because they don't contain images." Quod est demonstrandum!

But wait, there's more.

That passage gave me a flashback to adolescence, when I spent a fair amount of time reading Victorian pornography. And not for extra credit either. It was hardly a matter of being precocious. In my podunk town, it was just not feasible to get Playboy, let alone Penthouse. Besides, hiding them took a lot of trouble, whereas stashing a book was a fairly simple matter.

Somehow, I had located (and, chances are, shoplifted) a copy of The Pearl, a British magazine of the 1880s. No copyright, of course, so somebody had reprinted all of it in a cheap paperback edition. It was full of serialized pornographic novels. I seem to recall one of them being set in a harem, another at a country house.

There was also a great deal of explicit poetry. Much of it celebrated the pleasure of being beat with birches by schoolmistresses; and all of it was just terrible.

Checking the index to Steven Marcus's fascinating book The Other Victorians just now, I don't see a reference to The Pearl. But with hindsight, it seems obvious that one or two people wrote the whole thing. It had the feel of a labor of obsession.

No matter what the setting of the fiction -- Turkish harem, lewd boarding house, whatever -- there was always a bit where Cecil and Bertrand would turn their attentions from Daphne to one another. Then maybe Daphne would pull out the birch and punish them. Or something like that. (Remember, it's been twenty five years.)

Such passages did not float my particular boat. It was the kind of fiction in which you could skip a chapter without losing much character development. But perhaps it had a kind of unintentional didactic effect? There is some value, after all, to learning that it takes all kinds to make a world.

Anyway, two things are worth mentioning here.

(1) My appetite wasn't shaped by the reading of "textual descriptions." Rather, vice (as it were) versa.

(2) The experience was a vocabulary builder. My command of 19th century obscenities, while no longer what it was once, is still pretty good. Unfortunately "quim" and "frig" were not on the PSAT. But a certain insight into Victorian capitalism emerges from learning -- through close reading -- that back then the term for orgasm was "spend."
 
 
 
 
 
4 February
 
The framing shop called to let me know that they finished with my poster -- more than a week early, in fact.
 
It's from the Cultural Revolution period, and it shows Chairman Mao in a library, holding a booklet by Lenin, surrounded by young Red Guards, strong rays of eagerness and earnestness beaming from their faces.
 
The caption -- in Chinese, English, French, and German -- reads: "Chairman Mao Teaches Us to Study Theory."
 
I love that phrasing. He doesn't teach us theory. He teaches us to study theory.
 
There is a whole thing about the pedagogical element of Maoism that Susan Sontag discusses in that Salmagundi interview from the mid-1970s that I would be glad to type up here -- if not for the laziness.
 
It's also in The Susan Sontag Reader. You could look it up.
 
 
 
 
 
3 February
 
It's Thursday, hence another Intellectual Affairs column is up....There will be an archive of them at the IHE website, at some point.
 
It's going to be very light blogging for the next little while. Things are busy. I'll just leave it at that and head out for some coffee -- by intravenous drip, if possible...
 
 
 
 
 
2 February
 
Went on WBUR in Boston last night to talk about Ayn Rand, this year being her centennial.
 
That old Lingua Franca piece still gets around, it seems.
 
They had me on mainly just to lay out basic information and offer some thoughts on her enduring appeal. Fortunately, they had someone else on to represent the proper, true-believing Objectivist point of view.
 
My own outlook, of course, being more of the "first, let's tax the rich to death" variety. 
 
We're all doomed -- doomed, I tells ya -- until there is a rigorous program of confiscation of incomes above (let's say for starters) a million dollars.
 
If that is a political fantasy, certainly it is no more so than Rand's utopian capitalism.
 
The more I think about it, the more her worldview resembles a Soviet era socialist-realist novel with the word "communism" scratched out and "capitalism" written in.
 
The joke has it that they were "boy meets tractor" romances. In her case, it's more like "masochistic girl meets skyscraper." In Atlas Shrugged, the world's oppressed capitalists go on strike. They then withdraw to what sure seems like a commune.
 
 
 
 
 
1 February
 
Well, now it looks like I'm out there thumbsucking, columnizing, feuilletonifying.... Something like that.
 
It's good not to have to go to an office. Not to be obliged to put in "face time." It always felt like my IQ dropped about fifty points the minute I walked in the front door of the building.
 
Even with the unsquelching of the available brainpower, it's a struggle to keep up. An enormous biography of Pol Pot sits nearby, loomingly, plus about four people have reason to expect manuscripts from me soon. (If I owe you a letter and you are starting to wonder, that's why.)
 
In other news.... As of January, this website had twelve straight months of steady growth. It's now drawing ten thousand visitors a month. Which is just incredible, given the lack of promotion, not to mention the absence of photographs of naked people.
 
My review of Jared Diamond's Collapse was in Newsday over the weekend.
 
 
 
 
 
31 January
 
"Intellectual Affairs," my column for Inside Higher Ed, debuts tomorrow. It will run on Tuesdays and Thursdays, at least for now.
 
By the way, the whole website is free. You don't have to subscribe. But you might want to consider signing up here, to receive notifications as IHE revs up to full capacity over the next few months. (They have just started a weekly digest of the news and columns appearing at the site.) 
 
As for the use of that word "free," please take it as quite literal. They aren't doing the old bait and switch. If you are, like, Harvard University and you want to place an ad, you'll have to pay for that, of course. But for readers, the contents will always be free.
 
Meanwhile....My study is now purged of most of the notes and manuscripts that have accumulated from the past sixteen years.
 
The Old Hag sounds a bit shaken by my week-long orgy of destruction, and one of her readers suggests that I might have donated my papers to an archive.
 
Well, I am at peace with the idea that scholars yet unborn will take no particular interest in my rough drafts. The sense that posterity is looking over your shoulder is not particularly good for the prose. I'm just writing my little dispatches to stuff into bottles thrown into the ocean of eternity. Or something like that.
 
Posterity is definitely making bootlegs of my Portastudio recordings of things composed for alternate-tuning guitar, however.  
 
 
 
 
 
27 January
 
After four days, and who knows how many dozens of trips to the garbage room, my study is at long last much cleaner, leaner, and meaner.
 
Now it's like going into St. Jerome's cell in the desert, where he translated the Vulgate, or whatever. If that's what he did. Not sure where my historical knowledge ends and my eremetic fantasies kick in.
 
Those desert fathers were always being distracted from contemplation by demons. Well, I've been away from any serious mental effort for about a week, so it's definitely time to get down to it. Need to start drafting my first column for Inside Higher Ed, to appear on Tuesday.
 
I keep thinking of a very appropriate remark by Larry L. King, from forty years ago: "Writing a column is something like dating a new girl. You know beyond any reasonable doubt what you want to do, but may be seized by trepidation over exactly how to go about it."
 
St. Jerome would not have appreciated the analogy, I guess. A little too succubus-y.
 
 
 
 
 
26 January
 
Over the past couple of days, I've discarded an enormous number of copies of publications containing my own work. Some people develop a strong attachment to whatever they've published. While I do want a photocopy for my files, it's not as if seeing my byline in print is exactly a major ego thrill -- not at this late date. 

I threw out several copies of the Times Book Review from last year, with my cover article about Vollman's book on violence, plus dozens of magazines containing one piece or another. They're in the library, I figure.

The real attachment isn't to the finished product, but to my work in progress....As it turns out, I've kept thousands and thousands of pages of notes and rough drafts for things written over the past decade.  And now they, too, are gone.

I'm being pretty ruthless about it. As Bakunin said,"The urge to destroy is a creative urge." 

 
 
 
 
 
25 January
 
My last article for the Chronicle, on Helen Vendler, is online. Thanks to Moby Lives for linking to it yesterday, and to Arts and Letters for putting it up today.
 
I've barely had time to glance at a newspaper, let alone write anything, over the past couple of days -- having dumped the entire contents of my study into the living room, for sifting and purging and melancholy contemplation, before re-placing, in the new scheme of things, whatever survives this process.
 
The cats are fascinated. (Lots of boxes to sit on, and in.) Rita, suffice it to say, is not. "So you'll be done today?" she asked this morning. So much nuance, sometimes, in a question mark.
 
 
 
 
 
24 January
 
Got up Sunday morning, loaded my backpack with the usual set of writing implements (two notebooks and legal pad) plus Agamben's State of Emergency. Then I laboriously wrapped up to face the weather, and set off to get some coffee.
 
Halfway there, realized I'd forgotten the backpack.
 
So -- a long session of just sitting there, absorbing the caffeine while staring off into space, thinking about the past few days, and about what to do next.
 
Any number of things to take care of, at this point. But to get started, I've decided to dump every single thing from my study to reorganize it, which is going to take at least a day. More likely, two. 
 
It's a good way to mull over things (including some work in progress) while taking care of a chore that has long felt necessary and overdue.
 
For some reason, the soundtrack for this labor consists entirely of band I listened to in the 1980s, before moving to Washington. (While living, in short, pretty much like Adam Robinson.)
 
The playlist so far:
 
     -- the EP and single released by Dream Syndicate before their first album;
 
     --  the first Green on Red album;
 
     -- the fire-breathing Irish nationalist/hyper-Leninist guitar army Easterhouse, who were supporters of the Revolutionary Communist Party of Britain (no relation to Chairman Bob's crew);
 
     -- "Dicks Hate Police" by the Dicks, whose singer, Gary Floyd, was both gay and a supporter of Chairman Bob, even though RCP,USA would have excluded him from party membership for that, at the time;
 
     -- "John Wayne Was a Nazi" by MDC (as they were known after leaving Austin, though originally they were the Stains);
 
     -- Sahara Elektrik by Dissidenten, an extremely infectious mixture of German synth rock and Arabic pop.
 
At this rate, it's a matter of time before breaking out Husker Du, Big Black, and the first few Sonic Youth albums. And Nina Hagen, too, come to think of it. I wonder what she's up to nowadays? The people who did Hedwig and the Angry Inch really owe her some money, seems like.
 
Meanwhile, amidst all these reveries from two decades ago, I have come to a solemn realization:
 
Over the past four years, my impulse to acquire notebooks (and related tools of the trade) blossomed into a full-blown compulsion.
 
This must stop.
 
It will not be necessary to purchase another piece of paper for ten years.
 
 
 
 
 
21 January
 
Okay, Maud now has an item up about my news.
 
Bless you, Maud. I'm sure that if you shot those guys, they had it coming. One of them was probably a ULA "poet." If so, then thank you again.
 
By the way, my position at the new gig is "essayist at large" -- a title with a certain pleasing vagueness of mandate. I was going to ask for "feuilletonist at large," but the potential for typographical errors on the business card was much too great. 
 
More info on Inside Higher Ed is now available from the New York Sun. It looks like news of my hire was shoehorned in, probably at the last minute.
 
This website's coveted award for ex post facto, quasi-Kremlinological, reading-between-the-unpermalinked-bloglines analysis goes to Ralph Luker for determining that a reference (some days ago) to getting a haircut was, in fact, a coded reference to my intention of leaving the Chronicle.
 
A deluxe paperback copy of Crisis and Leadership by Clara and Richard Fraser -- containing a detailed criticism of the degeneration of the Socialist Workers Party, as of 1965 -- will be sent to Mr. Luker. Unless, of course, he begs that this not happen.
 
Somehow I ended up with two copies. And one, really, provides ample distraction.
 
 
 
 
 
20 January
 
It is cold today, here in Washington, DC, where the shameless and the morally insane are gathering to celebrate their triumph before the whole world.
 
I'd like to be out in the streets, doing something -- at very least, with my back turned to the presidential motorcade in disgust.
 
Instead, it's going to be necessary to be at the office. Time to take care of something difficult. 
 
If you are a regular visitor to this site, I'd ask you to check back later.
 
It won't be significant to anybody else. But for friends or anyone who otherwise follows my work, it may be of interest.
 
No, it's not a book contract. So my friend Jim surmised, reading between the lines of some recent blog entries. A very interesting guess. But that's not it.
 
Anyway, more anon.....
 
UPDATE:
 
Okay, here's my news flash:
 
After almost four years at the Chronicle, I have decided to leave. I'm going to do a column for a new online publication, Inside Higher Ed, which will launch later this year. For now, you can see a beta version of the site here. Actually it's more like a gamma version, at the moment, though it will definitely kick into beta mode next month.
 
I'll say a little more about all this soon. Meanwhile, Maud Newton will have something up at her site later today. For the moment, I'm just gonna rest -- let the adrenal tide wash out for a while....
 
 
 
 
 
19 January
 
Thanks, as ever, to Maud Newton for linking to my latest.....
 
Plus, she's got an exclusive: Rick Perlstein on Ben Hecht. Also check out Rick on the Revenge of W.....
 
****
 
So you're sitting there reading the paper, or whatever, and you think:
 
"Man, I wonder what it would sound like if Chairman Bob Thought were set to a musical background, preferably one with a funky if understated beat? That might sound really good, right about now, what with the dictatorship of the bourgeoisie being celebrated so openly, and all."
 
Ask, and you shall receive! Go here, and click on El Día Que Naceremos.mp3 "
 
 
 
 
 
17 January
 
At home someplace, Rita has duplicate copies of the mug shot taken for my Library of Congress ID badge, back in early 1991, before we met.
 
In it, I am, for all practical purposes, a skinhead. Not a matter of any political affiliation, or even a cultural statement. Just one of those impulsive things you do upon reaching a certain crossroads in life.
 
A few weeks earlier, my on-again/off-again "relationship" (oh, that loathsome word) of the previous several years had reached its entropic tipping point. Right after the picture was taken, I ran into my ex and greatly enjoyed her appalled expression.
 
That hadn't been my calculated intent. But it did sort of ratify the decision, ex post facto.
 
Over the past few months, I've been letting my hair grow out, to see how long I can stand it. In part, this has been to please Rita, who has never let hers be cut, and enjoys mine being somewhat wild and woolly. 
 
And it has also been a sort of tongue-in-cheek thing.. As I've joked to friends, it can be considered an homage to Gore Vidal's great comment on the cultural significance of Leon Wieseltier: "He has very important hair!"
 
So it has been a bit disturbing to learn that there is now a trend for professors of a certain age to indulge in (ahem) "extravagent academic hair." 
 
Now, and just in time, comes word via the Ample Hills blog that North Korea is waging sharp struggle against such individualist decadence.
 
The Workers Party of North Korea is warning that long hair "consumes a great deal of nutition."
 
Calories that are, after all, pretty scarce. Calories that, when you get right down to it, really belong to the Dear Leader.
 
So Pyonyang has launched a campaign called "Let Us Trim Our Hair in Accordance With Socialist Lifestyle."
 
Well, that settles it! Later this week, I will be applying the Juche Idea to the problem of tonsorial correctness.
 
It's often good to have an ideological alibi for what you already plan to do anyway. 
 
 
 
 
 
14 January
 
It was in one of Norman Podhoretz's far too numerous autobiographies that I first came across a mention of Richard Yates's novel Revolutionary Road.
 
The Podster cited it (if my memory servers) as a fine novel of his generation, regarded as a possible masterpiece when it appeared. But the rest of his generation, alas, was not wonderful enough for Pod to continue in the lit-crit biz with sufficient enthusiasm. And so he went political.
 
Damn you, bloody crossroads!
 
Anyway, I put Revolutionary Road on the "one of these days" list, and grabbed up a paperback copy maybe ten years ago. Maybe four years ago, Rita and I both read it, and were astounded, and pressed it on friends, who also liked it. Given all the stereotypes about the 1950s, it's impressive and also really moving to see that period from the perspective of characters who are, bohemians from the immediate postwar era who settle down in suburbia and cultivate their irony. 
 
There's a tendency to assume that incessant self-ironization was invented by Saturday Night Live writers in 1975, between bong-hits. Evidently this was not the case. 
 
We didn't really know anything about the author. It turns out Richard Yates, who died in 1992, lived a productive if booze-pickled life -- a miserable guy, though highly disciplined about his work. Go here for an interview with his biographer.
 
The interview also includes a link to an admirable survey of Yates's work that appeared some years ago in the Boston Review.
 
**
 
While writing this, I had to stop for a while because someone had made a bomb threat. Not directed at the Chron, but someplace on another floor. So everyone was evacuated from the building for an hour.
 
There were police cars and fire trucks. Yellow tape. Bomb-sniffing dogs. Standing in the cold, you could see, even from down the block, that the dogs were having a pretty good time.

Gonna be a long week, just up ahead.
 
 
 
 
 
11 January
 
Late Sunday night, I finished an essay on Susan Sontag for The American Prospect. And now it's being sent to the printers. Whew, that was fast.
 
Meanwhile, the Economist has published this altogether incredible -- I mean in the literal sense, belief-defying -- obituary for her.
 
Now, there were definitely moments when Sontag was not at her best. And she often had a sort of free-floating hostility towards American culture and institutions. That was obtuse. (Will try to post my review of In America, one of her bad novels, at some point.)
 
But here's what the Economist says:
 
"Anyone who thought the years had mellowed her received a rude shock when, after the September 11th attacks, she wrote in the New Yorker that America had deserved it."
 
Okay, now go take a look at what she actually wrote. There is nothing here saying -- or that can be honestly construed as saying -- that the United States "deserved" the attacks. Saying that X causes Y does not meant that X justifies Y.
 
What she did was tear into the more childish forms of rhetoric and thinking (if "thinking" is the word for it) that prevailed immediately after the attacks. And still do in some quarters. 
 
She pointed out that we were not thinking like a mature democracy. That we were regressing, acting like some kind of autistic giant.
 
Yeah, well, we do that sometimes. 
 
 
 
 
 
10 January
 
Not long ago, I finished a piece for the NYTBR. Over the past decade, that averages out to one a year. But that actually is misleading, as to pace. There were long stretches of not being asked to write for them -- and then, this past, year, they gave me four assignments.
 
Go figure. This wasn't the product of will or intent on my part, that's for sure. One theory: sunspot activity.
 
Exactly ten years ago, I was "working on" a piece about Louis Althusser for the Voice Literary Supplement. Back then, "working on a piece" meant reading the volume under review three times and consulting five others, taking enough notes for a book of my own, missing deadlines, undergoing massive depression, and maybe then not still not finishing the project.
 
So anyway, I was hard at work procrastinating in January 1995 (one of those typical, "oh shit, I haven't read Bachelard on epistemology, everybody's gonna know" bits) when Rita had just about enough. We'd been married for more than a year, and she'd already been through it a few times.
 
"You're a good writer," she said; "why don't you finish anything?" She was crying. I still remember the tone of anger, confusion, and exhaustion. It shook me, all the way down.
 
The next day I wrote the piece. A few weeks after that, the essay on the demise of the MLP came together. Then another, then another. It's not as if I never again missed a deadline, that's for sure. But something happened, some shift of coordinates.
 
I've never really understood writing to be a "career," and am consitutionally suspicious of the cult of "professionalization." Much preferable, or at least far more suited to what the actual experience has been, is the idea of having a vocation -- that is, a calling.
 
It feels almost absurdly anachronistic to resort to such a term. But in moments of trying to reckon with what has happened in the past -- and what might be ahead in the future -- that is the only thing that makes sense.
 
Writing is a calling, the answer to a call. But sometimes the innermost ear isn't quite right. Too much chatter, the distractions of psychic noise. A voice  from outside breaks in, saying something necessary, in way you can actually hear and so can't avoid. 
 
The vocation was there thirty years ago, filling preadolescent notebooks (now, happily, long lost). It's cluttering up cyberspace and newsprint. A next step is the writing of books. For the moment, I'm trying to meet another deadline. But if the Times were to stop asking me around -- or if I never made another cent or saw my byline in print again -- the calling would still be there. It is very strange to feel this, for it seems to manifest notions of character and fate to which I would not otherwise, as such, give much credance.
 
 
Very light blogging for the next couple of weeks.Apart from meeting a deadline for the Chronicle, I'm writing about Sontag in my so-called "spare time." Not to discourage you from coming back or anything. But for the most part, the homepage is going to be reruns.
 
 
 
7 January
 
 
No blog-related program activities today. And probably not tomorrow, nor even the day after that. I am writing -- for publication, as opposed to for letting off steam, releasing piss & vinegar, or what have you.
 
My friends Mark Sarvas (who we had lunch with in NYC late last year) and Maud Newton are writing novels while also running literary blogs far more regular and substantial than this one. I feel like such a wimp.
 
Anyway, the people coming by in search of cat pictures won't care. If you want to see more than is available in our humble feline blog, check out this site....See also the picture adorning this site, of one you could call Lee Harvey Furball. [Update: I later found out that someone else had already dubbed this a picture of Lee Harvey Hairball.]
 
 
 
 
 
5 January
 
Anyone who has been around this site very often will probably know that it does not endorse the McSweeney's (tm) brand of lightly sweetened cultural entertainment products and lifestyle accessories. (Now with extra whimsy!)
 
Be that as it may, we were interested to read this item about the TNT action-adventure movie called The Librarian.
 
 
 
 
 
4 January
 
Congratulations to my old friend Michael Moore and to Colleen Tierney on the birth, this past weekend, of their daughter Cecilia.
 
Back in Austin, Mike and I were in a band called Room City (there is along story explaining that name, which I do not remember) . Mike played guitar and I played bass, along with two other friends also named Mike (drums and guitar, uh, respectively).  This was less confusing in practice than it probably sounds.
 
Recently, one of the Mikes put our studio recordings, from spring 1986, onto CD-r, which I listen to now from time to time.
 
The sound is a little bit like Big Star plus the Wild Seeds, with occasional bits of MC5 and maybe even some Prefab Sprout mixed in. At least one of the Mikes and I were listening to a LOT of Sonic Youth and Big Black at that point -- influences reflected in certain now legendary "living-room session" recordings (well, maybe "legendary" is overstating it) which pretty nearly got the police called on us, a few times.
 
As it happens, we are now all old men. Tired, cranky old men, who roll our eyes at indie rock hipsters, because we are much too old and tired to do more than that. With children, some of us, it turns out.
 
Anway, Mike -- the one with the new baby -- has a website. It includes a photo of us during Thanksgiving 1985 that sent me reeling down memory lane. Maybe one day he'll put up some MP3s or something. For now he's kind of busy, though.
 
**
 
Rich Byrne's article about the MLA  convention is now available online, for free. Not that there will be any appreciation of course.
People would rather complain about the Times article, I bet. Wouldn't want to break up the pity party or anything, right?
 
 
 
 
 
2 January
 
Thanks to everyone who made the first year of this website, maybe not "a success" exactly, but worth the effort, in any case.
 
Not making any promises -- let alone resolutions -- but there should be some major changes in this vicinity in 2005. Enough said.
 
Last Monday, as the Modern Languages Association began its convention, the Times ran an article called "Eggheads Naughty Word Games." The title alone is sufficient to induce a sort of full-body cringe.
 
Of course, I don't hold the reporter, John Strausbaugh, responsible for that. And he indicates that the piece underwent major editorial shuffling. So I am willing to cut him some slack.
 
Still, I'm not thrilled with the quotations from me appearing there.
 
In the course of the interview, I made clear that the main topic of conversation at MLA nowadays is not "queering the canon," or whatever, but, basically, "How much worse is the job market going to get? Can it really get any more hopeless? It doesn't seem like that's possible, but damn, we thought that last year."
 
At one point, I wrote to him, saying:
 
"While going after certain paper titles is fun and easy, most scholars do work that is solid, unexhibitionistic, even admirable in its dullness, or at least its refusal to indulge in being pseudo-provocative. So why are there always a few titles worthy of the Provokies? For more or less the same reason that, if there were a new reality TV show called Who Wants a Threesome with a Millionaire?, the line to become a contestant would start forming immediately. The membership in MLA is huge. So it's natural that a certain percentage will want to do the intellectual equivalent of a Fox program."
 
That said, I'm struck by the degree to which my Provokies column from last year seems to have had the desired effect.
 
Certain crybabies and chowderheads assumed that I was just being a mean old academic-basher -- terrified of the great "difficulty" of contemporary literary studies (okay, what is the emoticon for "barely subdued snicker"?) and/or hoplessly unaware of what really goes on at MLA.
 
Sorry, but does giving an award for "transgressive punctuation" sound like either (1) the work of a clueless outsider or (2) an assault on the life of the mind, as such? Sheesh, people. Deal.
 
Anyway....In emphasizing the wierd symbiosis between journalistic sadism and lit-prof masochism, I'd hoped to make it a bit harder for people to give their papers exhibitionistic titles without feeling at least a moment of doubt about the whole thing. And this does seem to have worked. The cutesy factor in paper titles went way down this time.
 
Maybe the hard realities of the outside world had something to do with it. But I'd like to think that the potential embarrassment of finding oneself a Provokies nominee was also a factor.
 
There is also just a glimmer of possibility that the Times piece itself reflected the exhaustion of the journalistic ritual that the Provokies column tried to kick into overdrive (indeed, to the point of some Baudrillard-edque implosion).
 
Yeah, okay, I'm delusional. But it is such a pleasant fantasy. Let it continue for a while, at least.
 
Meanwhile, if you haven't already, check out the dispatches from MLA appearing over at Maud Newton's place.